Juris Dimiters (born 1947) is a Soviet and Latvian artist, poster designer, and set designer known for his graphic work, theatrical designs, and animated film art. His practice spans poster design, painting, scenography, book illustration, and animation, combining graphic imagery with theatrical and often satirical subjects.

Born in Riga on October 15, 1947, Dimiters was the son of actor Arturs Dimiters and artist Gemma Skulme. He graduated from the Jānis Rozentāls Riga Art School in 1965 and the art department of the Latvian State Academy of Arts in 1973. He began participating in exhibitions in 1968.

Dimiters worked extensively in theatre and film alongside his poster practice. He designed sets for productions at the Latvian Academic Drama Theatre, the State Academic Art Theatre, the Valmiera Drama Theatre, and the Latvian National Opera. His theatrical work included productions of Federico García Lorca's The Shoemaker's Prodigious Wife (1974), Cirulisi (1975), Sherlock Holmes (1979), and Notre-Dame de Paris (1997). He also worked on animated films, serving as production designer for Five Cats (1971) and Elephants and Hares (1972), and as artist for Aivars Stiebra's What a Case! (1972).

Dimiters became a member of the Union of Artists of the Latvian SSR in 1975 and was named an Honored Artist of the Latvian SSR in 1989. He received honorary diplomas from the Union of Artists of the USSR for scenography, painting, and book illustration. His poster work received international recognition at the International Poster Biennale in Lahti, Finland, where he was awarded prizes in 1981, 1983, and 1989, and at the International Poster Exhibition in Colorado in 1983. In 1987, he received a medal and diploma from the Union of Artists of Latvia for his creative work during the previous year.